Audio Articles

Since commercial and corporate video production budgets can often be small and executed under a short time frame, the recorded sound may suffer. During post-production, as a result, producers may encounter some terrible audio problems. One common dilemma is a low-end noise or hum that permeates dialog and other ambiance recordings.

Associating data with your finished sound effects products is the final step before submitting your material to sound distributors. This data, called metadata, offers interested buyers information on each sound in your library. Details about the seven main types of metadata to be used when cataloging your sound effects follow.

As the use and creation of video has exploded over the past several years, so has the demand for sound effects. Therefore, many folks who have recordings or sound design experience may want to put together sound effects libraries of their material which can be licensed for money. Below you will find a broad outline of the process for creating a profitable sound effects library.

Once you have recorded a large amount of material intended to be used as sound effects, the next step in creating a sound effect library is to edit this raw audio. You will need an audio editing software that will allow you to cut, fade in/out, normalize, and eq your tracks. There are many professional digital audio workstations (DAWs) out there for purchase and also several useful freewares easily found on the internet.

Streaming Audio used to be an expensive option for webmasters that made their sites stand out from the crowd. However, due to rapid improvements in technology, streaming audio costs have significantly reduced due to increased broadband penetration and improved streaming software efficiency.